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In contrast, suburban or rural properties tend to have more recognized natural settings. In these cases, Hall-Behrens fits together the landscape style with the existing terrain. For instance, she might position intriguing non-native plants more detailed to your house and modern garden design plant locals more detailed to the property border. "We how to grow a small garden require to contextualize the gardens that we're producing so that it's not a disconcerting effect to be in the space," she states.

In landscape style, there are lots of scale relationships to mull over. First, think about the garden to the existing home. "In urban gardens, oftentimes your home is very high and the property is very flat," says Hall-Behrens. "Larger plantings and manmade structures, like pergolas and other architectural aspects, assistance to step down the home." For suburban or rural properties with more vast acreage, the opposite is true.

To get the percentages right, she advises using the golden ratio. Then there is the human scale, or designing a garden that fits the human axis. Oftentimes this translates to creating a sense of enclosure in the space. "We want to feel included and not simply open and exposed," says Hall-Behrens.

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Even stringing lights overhead will achieve the effect. This is likewise why we construct up walls in larger, more open spaces. "The enormity of being out in the open can be too much," says Hall-Behrens. "And not really connect to our human kind." The straight lines of concrete pathways work as a virtual conveyer belt, moving human beings from Point A to Point B as quickly as possible.

Hall-Behrens does this by thinking in terms of "time out and rhythm." She describes the concept with an example from the garden at her 1904 home. There, she planted high, leafy Chinese bananas at the entry. "When they're at the best height, they produce the sense of walking through a rich tunnel," she says.

" That provides a sense of release after that compression," Hall-Behrens states. This strategic use of plantings and hardscape materials guides the garden landscape design way we move through the garden and experience it. Consider the views of the garden from multiple angles, starting inside. "I usually ask what spaces are used in the house the most," says Hall-Behrens.

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Once outside, sightlines are directed with deliberate centerpieces, anchored with what Hall-Behrens calls "structural plants." These can be larger specimens, like trees or upright shrubs, in addition to round, like boxwoods. Most notably, they are plants with an "architectural" quality that offer visual interest year round, whether that's a woody evergreen or deciduous tree with an interesting branch structure.

It occurs to every newbie. "When all of us start gardening, we buy one of whatever that intrigues us and then put it all in a planting bed," states Hall-Behrens. "Usually, we then can't stand the method it looks." To achieve more consistency, she recommends repeating specific colors, textures, and forms.

Hall-Behrens encourages clustering comparable plants together, such